Kryštof na Strahově

Kryštof na Strahově

Together with the band around Richard Krajčo we fulfilled the dream of a stadium concert. Kryštof celebrated 25 years before seventy thousand fans and with our production and technical support. Thank you for your amazing and apparently unrepeatable experience!

When you meet the right people at the right time, it can lead to amazing things and experiences that are hard to believe even when they happen. Huge thanks and respect to all of the ZL family who after 25 years helped meet the dream of one Ostrava band and contributed perhaps to a unique experience for their seventy thousand fans.

It could be said that we have reached the top of the line by checking this concert. At the Strahov Stadium, our complete production and technical "family" moved for two weeks, and with the support of friends from Adamson (Lagoona, Stagemasters) and Robe Lighting, we completely took off both concerts, of which Saturday was sold out. Christopher fulfilled his long dream and confirmed the position of one of the most successful bands in the history of Czech pop music. The show has received great feedback, see:

http://musicserver.cz/clanek/56519/krystof-jelen-sebastian-hodiny-stadion-evzena-rosickeho-strahov-praha-16-9-2017/

http://www.ireport.cz/clanky/recenze/live-krystof-na-strahove-nejpompeznejsi-koncert-ceske-kapely

https://www.novinky.cz/kultura/449444-recenze-krystof-slavil-na-vlne-euforie.html

https://www.tyden.cz/rubriky/kapela-krystof-zahrala-pro-temer-sedmdesat-tisic-lidi-splnila-si-sen_446765.html

The overall scene width was 60m, and in the middle we built a 21-meter stage, whose entire background was an ice screen for pre-prepared animations. The next 5 x 8m screens were designed for camera details on the sides of the delay tower for viewers standing 100 meters or more from the stage, which also carried a delayed PA system. Just as the main one was composed of Adamson E12 and E15. Rarity was the hanging of the 64 bass boxes Adamson E219, designed by system engineer Ondřej Tureček, the first in the world in this volume. The light backbone of Jirky Roučka's scenes consisted of 24 Robe Lighting BMFL spots, 24 Ice Spiers with 24 Pointe and 24 Colour Strobes SGM CX-5. Stage space illuminated 38 blinders and 40 sunstripes.

SOUND SOLUTION

MAIN PA: 15x E15 undr 6xS10 PER SIDE
SIDE PA : 15x E15 undr 6xS10 PER SIDE
DELAY: 12x E15 undr 3xS10 PER SIDE
SIDE DELAY: 12x E12 per side
FILLS:  6x SPEKTRIX PER SIDE
SUBS:

flown:
32x E219  in EF 66 mode 60 Hz preset
stacked:
12x T21 in FB 60Hz mode
SIGNAL FLOW:
ALL OVER DANTE in 96 kHz  mdoe  by OPTICAL CABLES, REDUNDANT MODE, SAFED by CAT 7 CABLING, SAFED by ANALOG SIGNAL DISTRIBUTION
FOH:  
LM PROCESSING MATRIX & SIGNAL DISTRIBUTION
PREBANDS: YAMAHA CL5
MAIN BAND: 2x AVID S6L 32D
MONITORS: YAMAHA CL5
IN EAR RADIOS: WISYCOM
WIRELESS MICS: WISYCOM + BEYER DYNAMIC
TECHNICAL SETUP AND SYSTEM TUNE by Ondřej Tureček, FOH Jiří Topol Novotý, MON Martin Štecher

Photo and video